According to founding Beach Boy Mike Love, there has never been a post-1990s Axl Rose vibe going on with his band. Sure, the singer/songwriter admits he and the iconic band have had a bunch of bumps along the way, but it never got to a point where they truly lost that loving feeling. “When you mix business with ego there can be tense situations, but when you let that go, you realize that a lot of the stuff that got in the way is in the past,” he explained in an interview earlier this month. “We can let the past screw the present by holding onto old disagreements or you can move past it and do something great.” Continue reading
Since it opened over a year ago, Love, Loss and What I Wore, has attracted a carousel of diverse actresses – from Janeane Garofalo to Jamie Lynn Sigler. The show, the Ephron sisters’ latest Off-Broadway treasure, is inspired by Ilene Beckerman’s memoir about women being interviewed on their fashion sense, and opening up about a whole lot more. Two of the actresses appearing in the show (through Dec. 5) are stage and television vet Margaret Colin and former sitcom star Alicia Goranson.
For years, Goranson played Becky on the groundbreaking sitcom Roseanne, and then she didn’t, then she did, and then she didn’t again. Since the comedy went off the air, she’s been focusing on small film roles (notably Boys Don’t Cry) and various stage roles. Colin, who has appeared on the small and big screen for decades, currently stars as Eleanor Waldorf on Gossip Girl.
I spoke with both actresses recently, and asked them about what drew them to the chick-magnet show, and what we can expect from them next.
How’d you become involved in Love, Loss and What I Wore?
AG: Daryl Roth, one of the producers, gave me my first Off-Broadway gig in 1997 and thought of me for this.
MC: I had read and heard lots of wonderful things about it and they had asked me previously to join the cast, but I was always working. Who knew? So when we realized November/December fit in perfectly with my life and theirs, we went for it.
You both follow a long list, an eclectic one at that, of actresses who have appeared in the show. What do you think is the motivating factor to join the cast?
MC: Well, the material is very evocative. Memories fly, and audiences come expecting a great time which they get. And, the cast has no stress. We read great essays and bring our craft to pretty great writing. I thought if so many of my pals have done it, I want to enjoy as well. Then I read it and loved it.
AG: [It was] probably a desire to really “chick-out,” tell stories and have fun. In my case, it’s cognitive, girly-girl therapy for my usual tomboy self.
How has the experience been working with the current lineup of cast members?
AG: Truly wonderful, but Maria Tucci can really be difficult… bringing cream-filled cupcakes to opening night and all.
MC: I’m having a ball. I am working with fantastic, sexy, funny women of many ages, and I knew none personally beforehand, except for Maria.
Have you spotted any men in the audience? If so, what has the reaction been?
AG: My reaction or the men’s? When I see them I think, “Wow. Someone’s girlfriend is really cool–and persuasive!”
MC: Spotted? They are all over the place. Men like the show very much. As my 17 year old said when I told him the stories are pretty feminine: “I like feminine.” [That's] all it takes really. There are women on stage telling very fine stories about very interesting women and their loves and families and friends and lives. It’s just good theatre.
Alicia, it’s been awhile since Roseanne and your terrific turn in Boys Don’t Cry; what have you been up to?
I’ve been doing Off-Broadway theater, mostly. A few independent films (Love, Ludlow, The Extra Man) and TV stints (Law and Order Special Victims Unit, Sex and The City, Fringe). But my passion is really in the theater. I also try to have a semblance of a life: boyfriend, pets, family, friends, fantasy football…
Roseanne, for me anyway, was one of the last traditional sitcoms that worked. Would you agree?
Well, it certainly could have been a lot worse. The writers and actors were strong. Carsey-Warner was coming from the great success of The Cosby Show. Sometimes there’s just intelligent decision-making and lucky chemistry when it comes to production. It’s hard to imagine a poor woman having that much power in a sitcom today, and Roseanne’s jokes and timing didn’t hurt.
What other projects do you gals have lined up?
AG: I’m writing an article for Overflow, a free, South Brooklyn magazine. And as far as acting goes–it depends on how my callbacks go this week!
MC: Well, Gossip Girl is keeping me busy. “Evil” Eleanor is a favorite of mine. And I am off to shoot an independent film, Camilla Dickinson. At home, I’m busy applying to colleges with my 17 year old … and enjoying these beautiful days!
Me like. You like?
If you’ve seen the Hair revival on Broadway, you know just how infectiously joyous the cast is and how strong their message of love still is. Their energy beams from the orchestra to the nosebleeds every night at the Al Hirschfeld theater. One cast member, however, managed to stand out to the crowd when the show opened – a near impossible feat considering the original cast of the revival is among Broadway’s best ever.
With a smile ten Broadway blocks wide, Allison Case became sort of the poster child for everything the show represented. Her face has been emblazoned on Broadway billboards, and has radiated in the numerous television spots the cast has performed on (watch her gleam next to Conan O’Brien on a fall Tonight Show pitstop) and rallies they’ve taken part in.
If you blocked the name on Mary Birdsong’s resume, and just read a few lines of it at a time, you’d be convinced she’s a dude. Perhaps not, but when you consider her credits are emblazoned with such men friendly shows as Reno 911 and flicks like Artie Lange’s Beer League, one might guess that. Why anyone would have a copy of her resume and cover up her name is another story, but I needed a strong opening and I think I’ve succeeded.
By Jon Chattman
Echoing the sentiments of Foreigner’s classic cornball hit but without all the melodrama, Charlyne Yi wanted to know what love was, and she wanted some people to show her. In her new film Paper Heart, the actress-writer turned her initial plans for a documentary on the “L” word into a narrative hybrid.
Together with director and co-writer Nicholas Jasenovec, Yi, playing a character named — yes Charlyne — sets off cross country to get to the meaning of what love is. She interviews happily married couples, celebrities, and divorce lawyers (among others) and tries to overcome her own pessimism about love.
They sing it loudly and proudly every night at the Al Hirschfeld Theatre, and it’s becoming more and more obvious that the Gods are listening. The sun is shining in on everyone associated with the Broadway revival of Hair: the cast, the crew… and Lord knows the audiences.
“I don’t know…who wears mustaches? Jake Johnson, the guy who plays Nick in the movie, before he did our film, he was known for his mustache. We told him it was too intimidating and it’d be weird if he was my friend and director with that googily mustache.”
Love The Sounds. They’re the best thing to come out of Sweden since Ace of Base. That’s an incredible compliment, but seriously – love them. I have the new Sounds song for you here. It’s called “Dorchester Hotel,” and no I’ve never stayed there.