Jan
27

Forgotscars ’12: Celebrating the Oscar Snubs

The nominations for the 84th Annual Academy Awards were just announced, and as is always the case on “Oscar morning,” there were glaring omissions. This morning, however, the snubs were especially shocking — more so than in previous years. For starters, Michael Fassbender, who had been garnering attention for several breakthrough performances this year (not to mention going the full monty in one of them), was left off the Best Actor list for his work in Shame. Even more remarkable was how Leonardo DiCaprio was stiffed for his transformational work in J. Edgar. Similarly, Albert Brooks was criminally overlooked for Drive. Having said that, there were many delightful surprises such as Nick Nolte grabbing a nod for his understated turn in the terribly underrated Warrior and Melissa McCarthy scoring a rare comedic nod for Best Supporting Actress in Bridesmaids. That said, the snubs stink and that what brings us to the purpose of this post.

I could go on and on about the worthy performances and films that were overlooked, and there were a lot of them. Instead, I’ll just highlight key performances and films that got overlooked and celebrate the work with a pointless award “show” I created over a decade ago. “The Forgotscars” celebrates actors and films which could’ve very easily earned nods but failed to do so. While there are no trophies when the winners are selected (please comment below to determine the “winners”), my intention is to lessen the sting from the snubs. I only listed major categories but could’ve easily extended it to the minor ones. For example, how was “Life’s a Happy Song” not nominated for Best Song for The Muppets, and how is Cliff Martinez’s score for Contagion or Drive not among the nominees? OK — I digress. Read below, and weigh in.

Best Picture
Bridesmaids
Crazy, Stupid, Love.
The Girl with the Dragon Tattoo
The Ides of March
Tinker Tailor Soldier Spy
Warrior

Best Actor
Leonardo DiCaprio, J. Edgar
Michael Fassbender, Shame
Joseph Gordon-Levitt, 50/50
Ryan Gosling, Drive
Tom Hardy, Warrior
Read the rest of this entry »

Jan
23

A-Sides With Jon Chattman: Portugal. The Man & This Is The Now

We travel from Alaska to Brooklyn for this edition of A-Sides, but not literally. That said, it’d be cool if I could somehow transport people via a blog post. Get on that, Google.

All John Baldwin Gourley wants is to work hard on his craft and make music on his terms. Fame is so secondary for him and his band Portugal. The Man. That said, the frontman realized that by signing with Atlantic Records, the fame monster may rear its head now and again. While he understands it, it doesn’t mean he’s necessarily cool with it.

“I never had any aspiration or goal to be a singer in a band. I never liked going up to people — I have social anxiety. I couldn’t even order food four or five years ago. When we did the Conan O’Brien show and it threw me back into it. He came up to me after the set, and thanked us. I couldn’t say anything. I think I just walked away. I was like ‘are you serious?’ We did the show because he’s a hero to us.”

Ginger anxiety aside, Gourley said he has made peace with the success (he noted it helps that the label is extremely supportive and doesn’t “play mind games”) that has come to him and his Oregon/Alaska native band. It’s a good thing he is, because the band’s stature in the business has continued to rise since the release of their third album In the Mountain in the Cloud last summer. Late last year the band performed the track “So American” acoustically for A-Sides, and Gourley discussed its meaning. Watch the video and read the brief story behind it … um … below it.

OnTour – Portugal The Man – So American (acoustic) from Michael Abrahams on Vimeo.

Gourley on “So American”:

I was sitting on a porch with my friends in Alaska, and it triggered something. I had been doing a lot of traveling around the time Obama was running, and I was walking down a street in Germany and a kabob vendor walked by and said “are you American?” It was 3 a.m., and here he was telling me “you have to vote. Palin is trouble.” I know nothing about politics, and I thought it’s so American of me to take it all for granted. We live in one of the greatest countries in the world, if not the greatest, and it’s all about working hard and having a voice and using it, and it’d been lost somewhat.

My friends on the porch were saying ‘these food stamps’ are great, and I’m like, I pay taxes…I pay for you to sit on the porch. I can eat dinner each night but because it’s because I work so hard. We have every opportunity handed to us. It’s not about building a f–king fence across the border of Mexico. It’s just knowing how to treat each other. It’s ‘So American’ to sit back and ‘say yeah this is great country’ but do nothing to fight for it.

I’ve been going to these Occupy protests in different cities, and there’s this real defeatist attitude coming from I hate to say it … the hippies. I’m not trying to generalize the group but they have this weird agenda. I think it’s great that people are coming together but I see people sleeping until two in the afternoon. You’ve got to get up! Somebody has to rise up and come out of it. You’re not really speaking. You’re just there.

And Now…This is The Now

This is The Now comes off as sort of an offbeat Lou Reed (that’s an oxymoron if I ever heard one) with their debut EP “Titan,” which drops later this winter. The band’s frontman Tiger G. recently performed the track “For You” for me with some sure-fire iMovie effects added for, well, effect. Before we get to the song, here’s some thoughts from the enigmatic mind of Tiger G.

On “For You” and more:

It went through many lyric iterations, I knew what the song was about but had to figure out how to say it. The process is different depending on what type of song I’m writing. For This Is The Now I wrote the melody and chords and recorded a bunch of the guitars and pianos around the hook, and then sculpted the song. I’ve written many different types of songs under different aliases and for different reasons. For TITN I went to a strain of music I love — the glam of Bowie, early Roxy Music, T Rex and Lou Reed. I wanted something very layered, with lots of guitars and keyboards.

About A-Sides with Jon Chattman
Jon Chattman’s music series features artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometimes humorous) way. No bells, no whistles — just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, I’m hoping this is refreshing.

Jan
18

Super Tuesday: Predicting This Year’s Oscar Nominations

I realize it’s weird, but the Oscar nominations announcement has been almost as big an event for me as watching the awards themselves. For decades, it’s been a ritual. I make my coffee, sit on the couch, and watch Good Morning America and E! as the news pours in.

As a kid, I used to tape the nominations and watch them when I got home from school. Without the Internet, I never had to worry about anyone spoiling the news. As years went on, my interest only peaked. I used to go into high school late on “announcement day” because movies meant so much more to me than Earth Science did. By college, I’d bring a beat-up Watchman (yes, I’m showing my age) and listened with headphones on in the middle of class.

For years, “announcement day” meant comparing my predictions to the always on-point critic Joel Siegel before the real ones were revealed. While the late great movie critic passed away in 2007, I’m always reminded about those special times during my younger days. Read the rest of this entry »

Jan
12

Lullaby… and the Cradle Will Rock

Having a child shouldn’t mean your musical taste should lose its flavor. You shouldn’t have to subject yourself and your baby to listening solely to Raffi, Barney and Disney tracks 24/7. That thought process came some six years ago for CMH Label Group Vice President Lisa Roth while shopping for a baby gift. “I was appalled by the selection of music,” she said during an interview last month. Taking action against the boring music geared toward newborns and infants, Roth moved quickly and her label followed. Along with Valerie Aiello, a colleague who shared her vision on cool tunes for the diaper generation, the pair helped fast track a “Rockaybe Baby!” line of albums with contemporary tunes performed in lullaby style.

Thankfully, and I say that being a brand new parent, the series has grown faster than a prepubescent boy. Rockabye Baby! now boasts an eclectic mix of artists from Kanye West to Pearl Jam to Coldplay to classics from the likes of the Rolling Stones and the Beatles. The label releases eight titles a year. In 2011, Madonna, The Police, Weezer, and Van Halen joined the kid-friendly rockin’ family. The latter is fitting considering Roth’s brother is the one and only “Diamond Dave.” In a recent interview, I spoke with the baby music making on the newest lullaby band, the growth of the music series, and how staffers at the label decide which artist gets the lullaby treatment next. Before we get to the Q&A — know this — last week, my baby was born and in his trip coming home, he listened to lullaby renditions of Bob Marley, Pearl Jam, Arcade Fire, and even the Beastie Boys. He’s already cooler than his dad.

As a new parent I must say thank you very much for making my kid too cool for school with his musical tastes already. How’d you come up with the idea for the music series in the first place?
I was shopping for baby shower gifts and was buying music for a friend and was appalled at what was available. We all want to give a gift that reflects our sentiments, our taste….our sense of humor, and I thought about how great it would be to have “baby’s firsts…” first punk album, first heavy metal, and rock… My coworker Valerie had a similar idea so we [pursued it]. It took a good year to get it off the ground. We really wanted a product that appealed to an aspect of parent that existed before the baby came along. Everything gets absorbed by the baby, but I thought why not kill two birds with one stone? Let’s appeal to the parent with music they like, and relax the baby at the same time.

How do you decide which artists get the lullaby treatment? I noticed on your website you encourage consumers to suggest artists they’d like to hear.
We have a whole process for choosing artists. We know a year ahead of time. Our consumers have a big say in what we do. On our website, we have a poll that we take into consideration — also on Facebook. But, we pull everyone in — in the company. We see what’s going on out there, and want to make sure whoever we choose complements the brand. There are many steps to this — it’s quite arduous. We take it very seriously.

How do you get the artists? Do they come to you or vice/versa?
Both. It’s all part of the process. We work with their publishers and we license each song. We have a handful of producers across the U.S. who we hire to produce each album. It varies.

Have there been any artists suggested that don’t quite fit?
Our reasoning is we have no lyrics in our lullabys so we can get away with much more. You can take anyone’s music including Nine Inch Nails, Tool, and Metallica and make lullaby music. Yes, a number of acts don’t fit in our brand. We’ve had bands approach us, and we have had to turn down a few — many of which are hot right now. But, we have a lot. We’re very rock and roll but with a little crossover. We have Kanye, who I love, and more pop stuff.

Once an artist is selected how do you figure out what tracks to use? The Beatles, for example, could’ve had a dozen cds with all their songs…
Yes, and the Beatles are a double album. We go through the body of work. We try to pick hits everyone wants to hear, deep cuts for the fans, and the few we like here. It’s a nice balance, and we have no problem doing a second album.

You waited a long time to release a Van Halen Rockabye Baby! album. Why was that since David Lee Roth is your brother?
I don’t mix family and business and I learned that the hard way. And I wanted to do the best job we could. The series has developed over the years, and i felt really confident and excited to do it now.

And what’s your brother think of it?
I think he gets a kick out of whole series. It’s always a challenge with all of our [albums] but we’ve figured out the perfect palette of instruments, little tricks, minor chords and making it cute. All of them have different fairy dust sprinkled — nothing is not doable.

Can you tell me some albums I can look forward to getting for my son in the near future? He’s too cool for school.
We like for it to be a surprise for people, but Depeche Mode will be out [soon] and Dave Matthews Band is coming.

Jan
11

A-Sides With Sharon Jones & the Dap-Kings: Some Funk and Soul Food for Your Ears

Aretha Franklin is the Queen of Soul, and always will be. Ditto for Michael Jackson and his King of Pop distinction. Sharon Jones made that abundantly clear in a recent “A-Sides” interview. Having said that, there’s still room for another queen in the worldwide music castle. Jones is the self-professed “Queen of Funk.” The lead singer of the appropriately named Sharon Jones & the Dap-Kings is as good as it gets when it comes to soul and funk dominance. Whether you jumped on the bandwagon after seeing them perform at a festival show, caught on after the Dap-Kings backed the late great Amy Winehouse, or followed them since their debut LP Dap Dippin’ the band can make any hips shake and your ears dance along with your pants.

I caught up with Jones backstage before her sold-out show last month at the Tarrytown Music Hall in Westchester, and spoke to her about her evolution (she bloomed late — having worked as a corrections officer and bank guard early on), and her anticipation of joining other “divas” on stage for a VH1 special. Oh, and she also performed an impromptu performance of “Mama Don’t Like My Man” and made it look so damn easy. A great way to start “A-Sides” in 2012 methinks…





About A-Sides with Jon Chattman
Jon Chattman’s music series features artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometime humorous) way. No bells, no whistles — just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, I’m hoping this is refreshing.

Dec
31

The Artist, Warrior, M:I, & Moneyball Top My “20″ and “11″ of 2011

This time last year, everyone was singing the praises of a surefire Oscar-frontrunner called The Social Network and rightfully so. That masterful film featured strong performances led by Jesse Eisenberg and Andrew Garfield, a pitch-perfect sharp script from Aaron Sorkin, and solid direction from David Fincher. But something happened along the way to its Oscar climb… somewhere between its Golden Globe win for Best Drama and the Academy Awards nominations, it lost its mojo. Read the rest of this entry »

Dec
31

A-Sides With Jon Chattman: Board the Gary Clark, Jr. Train

2011-12-20-garyclark.jpg Photo by Rich Tarantino

Sometimes hype is just that… hype. Too many times, artists packaged as the “next big thing” fail to live up to the premature “it” factor when their albums drop. I could name dozens upon dozens, but would rather focus on an artist who not only lives up to the acclaim he’s received throughout the year, but may even exceed it. It’s not a matter of whether Gary Clark, Jr. is going to hit it big or not, it’s when he’s going to take over. As a matter of fact, he’ll probably be a star by the time you finish reading this post.

With just an EP to his credit, the Texan has already received praise from everyone from Eric Clapton to Alicia Keys, and Rolling Stone recently singled him out as one of five shredders to watch under 40. That iconic magazine also ranked his Bright Lights EP as the 40th best album in their top 100. Not too shabby…

One can only wonder what hell is going to break loose when the 27-year-old emerging rock and blues guitar god puts out a full record. I spoke with him about that and more during an “A-Sides” session in White Plains, NY last week. From a private studio of the Music Therapy Institute within the Music Conservatory of Westchester, Clark also performed two tracks off his EP and fittingly discussed music education. We were, after all, in a music school. Watch the too cool for school singer/songwriter below and get on the bandwagon now.

“Bright Lights”

“When My Train Pulls In”

Interview:

On Music Education:

About A-Sides with Jon Chattman
Jon Chattman’s music series features artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometime humorous) way. No bells, no whistles — just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, I’m hoping this is refreshing.

Dec
17

Put the Arts on Suicide Watch…

Whether you follow them or not, rating systems are helpful in alerting people of content that may not be suitable for young viewers, themselves, or others. When you see “V” on the screen before a show goes on, you know right away there’s violence in the episode you’re about to watch. It’s not the most revealing opening to a story, I know, but it’s a fact. Ratings help you if you need to follow them.

That brings me to a point, which, mind you, is very personally charged. I think it’d be beneficial if rating systems included a notation whenever suicidal content is included. A few years back during in an eight month span, I lost two people to suicide. While I realize my senses are heightened, I’ve seen first hand how debilitating the mere mention of suicide in various programming can be for family members. It may only momentarily set them back, but it does nonetheless. Alerting similar viewers that a suicide or situation is featured may help them avoid it altogether or mentally prepare themselves to watch it and take the sting out.

On a related note, “I’m going to kill myself” is just an expression, and I get that. Way too often, however, it’s a line used on TV, in film and song lyrics to get laughs. Michael Scott, for example, used to say it all the time on The Office. Sometime it was funny — sometimes it was a stretch. If we can limit derogatory terms like “faggot” in movie trailers and curse words on prime time TV (although I’ve noticed more and more “dick” drops at the 8:30 p.m. hour), perhaps it’s time we limit hurtful comments like that for awhile or at least denote when it’s going to be said.

In my observations, the words can serve as daggers in the hearts of someone who lost someone. Visuals are worse. Just last weekend, I was watching Saturday Night Live’s Digital Short when all of a sudden Matt Damon — playing a homeless guy — shot his head off during a game of Russian roulette. The audience ate it up. I didn’t and can imagine how families touched by suicide felt. Read the rest of this entry »

Dec
17

A-Sides With Jon Chattman: Under the Covers With Chris Carrabba & Up Close and Personal With Mike Doughty

One Man Gang was a popular bad guy in the wrestling world in the 1980s. Fortunately (or unfortunately if you’re a fan of men in tights from the Teddy Ruxpin era) he has nothing to do with today’s “A-Sides.” The grappler’s moniker, however, resonates in that both artists featured here are one-man shows. Chris Carrabba has spent the better part of this year touring to celebrate the 10th anniversary of his debut Dashboard Confessional album The Swiss Army Romance. He recently wrapped up a brief series of acoustic shows in the Midwest and on the East Coast in connection to his first-ever solo effort, Covered In The Flood, which finds the singer/songwriter covering a wide range of artists he respects from R.E.M. to The Replacements.

Like Carraba, and I mean no offense to his Dashboard bandmates, Mike Doughty is a one man gang of musical talent (geez, did I really just say that?) The former Soul Coughing member is a celebrated singer, songwriter, author and poet. He’s currently touring in support of his fifth solo album Yes and Also Yes, and in early 2012 will release a memoir about his drug and music battles called The Book of Drugs.

In New York City earlier this month, I caught up with Carrabba and Doughty for “A-Sides.” Both performed songs off their respective new albums, and discussed their meanings. Watch, listen, and enjoy.

Chris Carrabba Plays and Discusses “Tall Green Grass” (Cory Branan cover)

Chris Carrabba Plays “The Cape” (Guy Clark cover) and Talks About It

Mike Doughty Plays and Discusses “Na Na Nothing”

Mike Doughty Plays “Day By Day By” and Talks About It


About “A-Sides with Jon Chattman”

Jon Chattman’s music series features artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometime humorous) way. No bells, no whistles — just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, I’m hoping this is refreshing.

Dec
17

A-Sides With Jon Chattman: The Kooks’ Show Us Their “Junk”

My wife isn’t exactly a fan of a lot of new music. She gets a little sick of hearing me talk up the latest, greatest artist I’m listening to, and tends to play the same songs in her car over and over again. Yet, something broke through to her usual playlist of Bob Marley, Coldplay and the Dixie Chicks last summer.

The Kooks’ “Junk of the Heart” is a catchy throwback song about — I think anyway — a guy who wants to show the world to the girl he loves — assuming she’s as in to him as he is to her. The song, which I obviously like too, is sort of a departure for the UK rock stars who have sold over 2 million records worldwide. Their third album, also called Junk of the Heart, features far more soul and even channels Bowie at times but those killer good hooks are still there.

Last month, I caught up with one-half of the band (frontman Luke Pritchard and guitarist Hugh Harris) just prior to their sold-out show at Webster Hall in New York City and asked them about the new sound, and specifically the title track which my wife fittingly overplays in her car now. The fun pair also performed a cool, infectious acoustic version of it.

Before you watch the video — know this: The Kooks will perform on Jimmy Kimmel Live! with far superior video equipment on Dec. 12. They’re also winding down their fall tour on Dec. 13 at The Fillmore in San Francisco, CA. And with that, I give you two of the four Kookers.

“Junk of the Heart”

Discussing “Junk”

About “A-Sides with Jon Chattman”
Jon Chattman’s music series features artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometime humorous) way. No bells, no whistles — just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, I’m hoping this is refreshing.

Dec
17

Beyond Adele: Bon Iver Leads My 20 & 11 in 2011

Adele dominated this year, and rightfully so. The British songstress murdered the charts with 21, her breakthrough sophomore effort on a relationship breaking. The deeply personal album spawned massive singles like “Rolling in the Deep” and “Someone Like You” and made the singer the reigning queen of music. But, 2011 was more than Adele for me. There was so much to like about music this year that it’s hard to represent everyone I liked. For example, I so enjoyed Jane’s Addiction’s comeback album The Great Escape Artist, but it’s nowhere to be found here.
Read the rest of this entry »

Dec
06

“Live … in the Can” Music Sessions With The Last Royals, J. Aims, and An Horse

Logo/Mariana Delgado

I do some of my best thinking in the bathroom — most of us do. It’s while I’m on the toilet where some of my best ideas have come about. For instance, my idea to write a book on celebrity mustaches (scroll below if you want to be the one person to buy it.) In any event, with this logic, I’ve decided to launch another music series entitled “Live…In the Can.” In this series, artists will perform their tunes in a restroom followed by a brief interview about the song and the experience. The acoustics in a bathroom, as it turns out, are quite remarkable. In this first edition, three acts who participated in “A-Sides” sessions earlier this year performed (not all at once) at the spiffy (and clean) men’s room located at the Arctica Bar in New York City.

First up was, The Last Royals, a Brooklyn duo who performed their single “Crystal Vases,” which heated up alt-rock stations last summer. The pair (Eric James and Mason Ingram) are currently working on their debut full-length album. Next are An Horse — the Aussie duo of Kate Cooper and Damon Cox, who played “Not Mine” off their acclaimed recent album “Walls.” Lastly, up-and-coming singer/songwriter J. Aims of New York City played “Lie Lie Lie”off his debut album “Scene Not Herd.”

Enjoy the show, and don’t forget to flush.

The Last Royals

An Horse

J. Aims

Dec
06

Beyond Adele: Bon Iver Leads My 20 & 11 in 2011

Adele dominated this year, and rightfully so. The British songstress murdered the charts with 21, her breakthrough sophomore effort on a relationship breaking. The deeply personal album spawned massive singles like “Rolling in the Deep” and “Someone Like You” and made the singer the reigning queen of music. But, 2011 was more than Adele for me. There was so much to like about music this year that it’s hard to represent everyone I liked. For example, I so enjoyed Jane’s Addiction’s comeback album The Great Escape Artist, but it’s nowhere to be found here.

In any event, since it’s the end of the year (almost) here are my top songs and albums of the year. In an effort to stand out, which is really impossible this time of the year, I’m posting my top 20 songs of the year, and top 11 albums, as in… 2011. Get it? Clever, or, um, not quite. Anyway, let’s cut to the chase and get to the lists with brief explanations on why I chose them.

By all means, please suggest other music. I tend to enjoy indie rock most these days so I’m sure I omitted a lot. But, I’m always open to hearing new (or old) artists, so pitch away.

Top 20 Songs of 2011
(Sorry Cobra Starship, but you don’t “make me feel so” nah nah nah nah nah… and apologizes to LMFAO, but your song was played out before it was played out in my book.)
1. Bon Iver — “Minnesota, WI”: Any song off this album can make a top ten list and “Holocene” for sure deserves this spot, but this one stays with me more… even hours after I listen to it.
2.The Kooks — “Junk of the Heart”: Such a simple song, but so well done. Try not to sing along with the chorus.
3.Radiohead — “Lotus Flower”: An uneven album by the music masters delivered one of their best songs ever and a music video that was amaze-balls.
4.AWOLNation –”Sail:” This in-your-face, electro anthem’s hooks and lyrics floored me.
5. Lana Del Rey — “Video Games”: Everyone is buzzing about her for a reason.
6.Kanye West & Jay-Z — “Otis”: Full of so much joy — it’s infectious.
7.M83 — “Midnight City”: So glad to see this French act get its due. Effecting music — literally.
8. Red Hot Chili Peppers — “The Adventures of Raindance Maggie:” My favorite song last summer. So glad these guys are back.
9.The Airborne Toxic Event — “Welcome to Your Wedding Day”: This band fly under the radar for no reason. They’re badass, and this song is amazing.
10. The Joy Formidable — “Whirring”: So catchy and evokes the 1990s alt-rock feel.
11.Adele — “Set Fire to the Rain”: I like a lot of her songs, but you can really hear her heart on this one.
12. Two Door Cinema Club — “What You Know”: Couldn’t get this song out of my head in July or now.
13. Foster the People — “Don’t Stop (Color on the Walls)”: Forget “Pumped Up Kicks,” this is the best song these guys have done.
14. Rihanna — “We Found Love”: You’ve got to give it to this prolific artist. She’s clearly in the zone now.
15. Coldplay — “Paradise”: I’m on the fence with their latest album. I like it a bunch, but I’m still waiting for Chris Martin and the boys to make their Achtung Baby.
16. Young the Giant — “Cough Syrup”: If you saw them on MTV’s VMAs you know this California act is about to become orca big.
17. Neon Indian — “Polish Girl”: I can listen to this song multiple times a day, and even attempt to dance to it and still feel OK about myself.
18.Jack White — “Love is Blindness”: This Patti Smith-ish take on U2′s original cut off Achtung Baby is better than the real thing, and that’s saying so much.
19.Lady Gaga — “Highway Unicorn”: I liked a lot of songs off Born This Way, but this song made me wish it was the 1980s and I was dating a girl with frosted hair and Madonna rubber bracelets.
20. Edward Maya w/Vika Jigulina — “Stereo Love”: Driving down sunny Laguna Beach I had this blasting last spring. Present day, I still do and it’s chilly out today.

Bonus Jonas: Yes, I know I said 20 but I need to mention Wolf Gang’s “Lions in Cages” which is a pretty spectacular 1980s-inspired track. Beastie Boys’ “Make Some Noise” also deserves some props.

Top 11 Albums of 2011
1. Bon Iver — Bon Iver: Like The Suburbs last year, this album has been played weekly, sometimes daily, ever since it came out.
2. The Horrible Crowes — Elsie: Out of nowhere, this Gaslight Anthem (don’t call it a) side project resonated with me so strongly. There’s not a bad song on this.
3. Kanye West & Jay-Z — Watch the Throne: Believe the hype.
4. Adele — 21: If I had the hips and the attitude, I’d say “you go girl” to her and then snap my fingers.
5. Portugal. The Man — In the Mountain In The Cloud: Whether it’s “So American,” a sort-of anti-anthem for the OWS crowd, or other standouts like “Senseless” and “Sleep Forever,” it’s a masterwork.
6. The Beastie Boys — The Hot Sauce Committee Part 2: Their best album in a buttload of years.
7.Florence & The Machine — Ceremonials: Picks up right where they left off with Lungs. Hauntingly beautiful stuff.
8. Arctic Monkeys — Suck it and See: I wanted to love their last album, but couldn’t. This was so easy to love. Their best since their first.
9. TV on the Radio — Nine Types of Light: Not as good as their previous efforts, but this band deserves more mainstream love. Choice tracks: “Will Do” and “Repetition.”
10.Lady Gaga — Born this Way: This was an uneven album, but I really appreciate her talent and attempt at making the best album ever. It wasn’t but had some great songs.
11.Nicki Minaj — Pink Friday: Not everything works, but when it does, it does so well.

Bon Iver:

M83:

The Horrible Crowes:

Nov
24

A-Sides With Jon Chattman: Get ‘Close’ With Butch Walker and Do “Cocaine” With DAMNDOGS

Does anyone remember that old skit on In Living Color about the Jamaican family whose members continually try to one-up each other by namedropping how many jobs they have? Of course you do. Well, Butch Walker would fit in that fictional family quite well dreads or no dreads. Walker is a sought-after music producer, whose worked with Avril Lavigne, Pete Yorn, and Weezer to name a few. On top of that, he’s a respected musician in his own right who is currently touring in support of his new album The Spade, which he released with his band of “Black Widows.” If that weren’t enough, the singer/songwriter also released his debut memoir Drinking with Strangers: Music Lessons From a Teenage Bullet Belt. “Hey mon… how many jobs you have?” OK, I’m done with that analogy.

Moments before taking the stage at the Gramercy Theatre in New York City, Walker performed a tune off his new record and chatted briefly about it in typical “A-sides” and “asides” fashion.

“Closest Thing to You I’m Gonna Find”

…and now for something completely different.

DAMNDOGS hail from Australia and have much more of a rock and even dance work ethic than Walker. The band, who recently released their debut EP Strange Behaviour, consists of Mitch McIvor, Louis Macklin, and JET bandmates Chris Cester and Mark Wilson. As Cester told me in New York City — just days after their CMJ show at Bowery Electric, DOGS aren’t merely a side project – they’re a full-fledged band. They’re also nothing like JET. With strong hooks and danceable in-your-face rhythms, you’re more likely to move your hips than pound your fists to their music. Well, OK maybe you’ll do both. Watch a live performance of their song “Cocaine” below followed by an interview with Cester and Macklin in NYC. Enjoy the song, and don’t do drugs.

About “A-Sides with Jon Chattman”
Jon Chattman’s music series features artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometime humorous) way. No bells, no whistles — just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, I’m hoping this is refreshing.

Nov
24

A-Sides With Jon Chattman: The Sounds Give Us Something to Die For

There was a time when Sweden wasn’t exactly the most popular export in music excellence. For decades, the country was arguably defined by the glorious schmaltz and glamour of ABBA and to a lesser degree, the pop friendly 1990s group Ace of Base. But, things have changed over the past decade or so in Mother Svea. Whether it’s Lykke Li, Miike Snow, Peter Bjorn and John or the act I’m about to namedrop, Sweden is closely rivaling Brooklyn as the leading haven for budding musical talent.

The Sounds, who formed roughly ten years ago, represent all that’s good in pop, rock, dance and indie music these days. Deriving their style from acts like Blondie and Missing Persons, but with their own original twist, this quintet (Maja Ivarsson, Felix Rodriguez, Jesper Anderberg, Johan Bengtsson and Fredrik Blond) have gradually become huge stars in the states thanks to the buzz surrounding their debut “Living in America” in 2002 and their three releases since. The band have been on the road for most of the year in support of their latest acclaimed album Something to Die For, which has brought them closer to alt-rock domination. Hours before they played a sold-out show at Webster Hall in New York City, they performed a stripped down version of their title track off their current LP, and took time for a chat about their success thus far. Watch and hear that Sound… um… now.

Something to Die For — Live:

The Sounds Speak Out:

About “A-Sides with Jon Chattman”
Jon Chattman’s music series features artists (established or not) from all genres performing a track, and discussing what it means to them. This informal series focuses on the artist making art in a low-threatening, extremely informal (sometime humorous) way. No bells, no whistles — just the music performed in a random, low-key setting followed by an unrehearsed chat. In an industry where everything often gets overblown and over manufactured, I’m hoping this is refreshing.

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